Happy Holidays!
From our Family and Friends at SoundTraxx.

DCC and model train tech tips, product announcements, and the adventures of the SoundTraxx and Blackstone Models crew
 snow around. It’s going to be a white Christmas here! The office dogs are having a great time playing in it!
snow around. It’s going to be a white Christmas here! The office dogs are having a great time playing in it! have been getting many requests for a 2nd run of these models because they sold out quickly. Due to unscheduled extra assembly capacity at our factory, we were able to slip this project in. This production run will be for 6 road numbers in various heralds, including 3 new road numbers. All of these K-27s will be available with Tsunami DCC and sound.
have been getting many requests for a 2nd run of these models because they sold out quickly. Due to unscheduled extra assembly capacity at our factory, we were able to slip this project in. This production run will be for 6 road numbers in various heralds, including 3 new road numbers. All of these K-27s will be available with Tsunami DCC and sound. The available road numbers and their respective part numbers are as follows:
 The available road numbers and their respective part numbers are as follows: with snowplow; B310123-S #458 Moffat Tunnel.
 with snowplow; B310123-S #458 Moffat Tunnel. locomotive, a simple articulated, or a compound articulated? A conventional rod locomotive is one with a single set of drivers using only 2 cylinders, creating 4 chuffs per revolution. A simple articulated locomotive has 2 sets of drivers and uses the steam only once in each cylinder producing 8 chuffs per revolution, 4 per set of drivers and can be identified by having all the cylinders at the same size. A compound articulated recycles the steam from the high pressure rear cylinders for use in the low pressure front cylinders producing only 4 chuffs per revolution like a more common 2-cylinder locomotive, and is identified by front cylinders being much larger than the
locomotive, a simple articulated, or a compound articulated? A conventional rod locomotive is one with a single set of drivers using only 2 cylinders, creating 4 chuffs per revolution. A simple articulated locomotive has 2 sets of drivers and uses the steam only once in each cylinder producing 8 chuffs per revolution, 4 per set of drivers and can be identified by having all the cylinders at the same size. A compound articulated recycles the steam from the high pressure rear cylinders for use in the low pressure front cylinders producing only 4 chuffs per revolution like a more common 2-cylinder locomotive, and is identified by front cylinders being much larger than the  rear set of cylinders. Last, consider whether auto chuff rate or a chuff cam will be used. A cam uses the tan wire, located between the 2 purple speaker wires, to synchronize the chuffs to the revolution of the wheel. The SoundTraxx cam kit comes with cams designed for conventional rod locomotives, geared locomotives, and articulated locomotives in various sizes to fit your model.
rear set of cylinders. Last, consider whether auto chuff rate or a chuff cam will be used. A cam uses the tan wire, located between the 2 purple speaker wires, to synchronize the chuffs to the revolution of the wheel. The SoundTraxx cam kit comes with cams designed for conventional rod locomotives, geared locomotives, and articulated locomotives in various sizes to fit your model. we can answer the questions asked and determine a value for CV112.
we can answer the questions asked and determine a value for CV112. We were out of the office for a few days and now we are ready to get back to work.
We were out of the office for a few days and now we are ready to get back to work. The purpose behind this was to get more horsepower out of one locomotive. What happens though is that the normal sound decoder is not able the replicate this well. Tsunami is no ordinary sound decoder. Built-in to every Tsunami is the ability to add reverb to the sound. Using this tool, we can simulate 2 prime movers without needing 2 decoders.
The purpose behind this was to get more horsepower out of one locomotive. What happens though is that the normal sound decoder is not able the replicate this well. Tsunami is no ordinary sound decoder. Built-in to every Tsunami is the ability to add reverb to the sound. Using this tool, we can simulate 2 prime movers without needing 2 decoders. but these don’t faithfully replicate 2 prime movers. Since none of these are set for 2 prime movers, set this to 7, for user adjustable. CV 162 is the output level, or how much of the original sound is ‘reflected’. In this case we want 100%, or a value of 255 for a full replication of the prime mover sound. Next CV 163 is the delay time in milliseconds. To get a good delay and distinction between our prime movers, put the maximum value of 255 in for 64 milliseconds, but this value is not critical. CV164 controls the feedback mix. This is the percentage of the original sound that is mixed in to the reverb, creating multiple sound reflections. Since we are trying to recreate one sound, set this to 0 for no additional feedback. Last is the reverb mixer. CVs 169 through 172 will add the reverb at different levels for different sound effects. Since we are working on the prime mover only at this time, set CV 171 to 255, or full mix.
but these don’t faithfully replicate 2 prime movers. Since none of these are set for 2 prime movers, set this to 7, for user adjustable. CV 162 is the output level, or how much of the original sound is ‘reflected’. In this case we want 100%, or a value of 255 for a full replication of the prime mover sound. Next CV 163 is the delay time in milliseconds. To get a good delay and distinction between our prime movers, put the maximum value of 255 in for 64 milliseconds, but this value is not critical. CV164 controls the feedback mix. This is the percentage of the original sound that is mixed in to the reverb, creating multiple sound reflections. Since we are trying to recreate one sound, set this to 0 for no additional feedback. Last is the reverb mixer. CVs 169 through 172 will add the reverb at different levels for different sound effects. Since we are working on the prime mover only at this time, set CV 171 to 255, or full mix.  Now the locomotive is sounding as though there are 2 prime movers in the model. If you wanted to play with it a bit, set the output level to a different value (220) to get a more distinct sound for the 2nd prime mover.
Now the locomotive is sounding as though there are 2 prime movers in the model. If you wanted to play with it a bit, set the output level to a different value (220) to get a more distinct sound for the 2nd prime mover.